C C C C   N E W S L E T T E R

                   CENTRAL COAST COMPUTER CLUB
                     Santa Maria, California

             VOLUME XIX:   NUMBER 4         APRIL, 2004

NEXT MEETING:    April 20, 2004 6:00PM  KNOLLWOOD VILLAGE  4012 S. BRADLEY

PRESENTATION:    Sharon Allen on "Multimedia Madness"

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                |                                 |
                |            CONTENTS             |
                |                                 |
                -----------------------------------
 
(1) OFFICERS, HELPLINES, S.I.G.S                  
(2) PRESIDENT'S CORNER                Spence Stimler
(3) ADOBE PHOTOSHOP CS REVIEW         Charles Barney
(4) EDITOR'S COMMENTS                 Dick Trissel 
(5) WEB WANDERINGS                    Gil Smith    
(6) DIGITAL IMAGING S.I.G.            Charles Barney
(7) SYSTEMS S.I.G.                    Dick Trissel 
(8) WINDOWS EXPLORER PART 2           Dick Trissel   

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OFFICERS                         HELPLINES

President                        Juno
Spence Stimler  938-0217         Gilbert Smith       925-3743
spence@pronet.net                colgil1@juno.com

Vice President                   Windows 95/98/ME/XP & VoiceControl
Bill Corning  934-0775           Amy Malicki         925-5780
foster95@juno.com                savvyseniors@juno.com

Secretary and Book Librarian     Hardware and Windows XP
Barbara Godwin  934-9885         Ray Isenson         937-6938
yung.bag@verizon.net             risenson@juno.com

Treasurer                        AOL
Gerry Miller    934-1396         Frank Maciel        922-2318
2741 Banyan Way                  frm8198@aol.com
Santa Maria CA 93455
gandamiller@verizon.net

Disk Librarian                   Visual Basic and Genealogy
Sharon Allen    928-2209         Gerald Miller       934-1396
sallen4060@aol.com               gandamiller@verizon.net

Publicity                        Help With Any Problem
Bill Corning    934-0775         Fred Adams          934-1128
foster95@juno.com                fredeadams@verizon.net

Newsletter Editor                Digital Imaging
Dick Trissel    937-7572         Charles Barney      937-1240
rtrissel@juno.com                Cbarney@lightspeed.net

SPECIAL INTEREST GROUPS (S.I.G.s)

Digital Imaging (6:00pm)     Genealogy (6:00pm)          Systems (5:45pm)
Charles Barney               Gerry Miller                Dick Trissel
Cbarney@lightspeed.net       gandamiller@verizon.net     rtrissel@juno.com

CCCC Membership is $15 for twelve months ($20 family).  For this you 
receive:
        Monthly newsletter
        EXTRA4C E-mail Messages
        Access to the clubs software library
        Disk of the month (usually for $1)
        Helpline support
        Monthly presentation
        Valuable door prizes
        Question and answer sessions

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 CCCC                         Page 2                     April  2004

PRESIDENT'S CORNER 
by Spence Stimler

By the time you receive this in the mail, you will have had it emailed to 
you and also had the opportunity to download it from the website.  How's 
that for coverage?  We are still looking at ways to get the Newsletter to 
you other than by USPS.  As a computer club, we should at least be able to 
communicate with each other using our computers.  We know that some have 
problems downloading it off the web.  Did anybody have problems receiving 
it via email?  What did you do with it once you realized it was being sent 
to you by email; read it? Print it? or dump it?  If you printed it, did you 
print the entire newsletter or segments of it that you wanted to keep and 
peruse later?  We are interested in your input.

Speaking of input, there is a need to come up with ideas for SIGs.  Dick 
Trissel's - Systems and Charles Barney's - Digital Imaging, are well 
attended and will continue for the foreseeable future.  If the attendance 
of the last Genealogy SIG is any indication, it is in trouble and will 
probably go the way of the Hardware SIG conducted by Ray Isenson.  What 
SIGs would you like to see?  The SIGs don't necessarily have to be an 
ongoing twelve month session.  They could serve a purpose in as little as 
two or three sessions.  What you like to learn how to do?  What do you 
think you need more instruction on to get the most out of your computer?  
We really would like to get your input.  It is very difficult to try to 
guess what you might want.  If you are having problems with a particular 
operation, let us know.  We will do our best to find someone who is 
knowledgeable in the area and try to come to your rescue.  The very nature 
of Dick Trissel's System SIG inundates him with a myriad of questions.  Is 
there one or two that might be expanded upon in another session?

We are in for a treat at our April meeting.  Sharon Allen will give us a 
presentation she entitles, Multimedia Madness.  I know it will be well done 
and very interesting.  If you miss this one, you will be sorry.

Speaking of sorry; the following missed out on receiving a door prize 
either because you weren't in attendance or left early:  Jack Sutherlin, 
Peter Dettelis, Richard Holmes, Shirlee Hickey, Stanley Voris, Cliff 
Newbold, and Sylvia Fischer.  Winners were Jerry Miller, Barbara Flood, 
Marshall Wiley, Jim Burress, and Paul Highfill.

Our attendance at the March meeting was low.  Only forty seven of you made 
it.  We hope that you will make the effort to put in an appearance in 
future meetings.  Again, if you have any ideas or suggestions for future 
sessions, please let me or any of the other officers know.  It is probably 
impossible, but wouldn't it be nice if all of the approximately 100 members 
attended?  It would probably put a dent in our cookie supply, but I'm sure 
we can handle it.

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 CCCC                         Page 3                      April  2004

Adobe Photoshop CS
A review by Charles Barney

Long regarded as the 'King Kong' of digital imaging programs for graphics 
professionals and serious hobbyists, Adobe's heavyweight champ Photoshop is 
now in it's 8th incarnation. Why is it called Photoshop CS? Apparently the 
new marketing strategy from Adobe is to emphasize the close integration of 
their various graphics applications, each as a part of the 'Creative 
Suite.' An in-depth review could fill volumes and is way beyond the scope 
of this newsletter (and most folks' attention span). I'd like to tell you 
about just some of the new features in this version that might be of 
particular interest to digital camera users and pixel monkeys such as 
myself.

In the highly-improved File Browser, you can now create custom-sized 
thumbnails (think big!) plus drag and drop them into any order you please. 
Flag and assign keywords to individual or groups of images for very useful 
search and sort capabilities. The File Browser also now comes with its own 
menu bar with easy access to the most frequently used file commands and 
tools. The new capability to edit metadata that is embedded within each 
image allows you to add personal information, such as your copyright, to an 
image file. An entirely customizable workspace now allows you to truly 
'have it your way.'

Previously only available as a plug-in, Photoshop CS now has built-in 
support for Camera Raw files (and I'm not talking about sushi here). Raw 
files are just that, raw data that is captured by the camera's photo sensor 
without any pre-processing. If your camera can save images in this format, 
after opening them in File Browser you can have complete creative control 
over white balance, color rendition, brightness, sharpening and other 
parameters through the software's slider adjustments.

New support for 16-bit images (as captured in Camera Raw files) means that 
an incredible amount of color and brightness information per pixel can now 
be manipulated with most of Photoshop's tools.

8-bit images can only contain 256 shades per RGB channel, while a 16-bit 
image has 65,536 possible shades!

Starting off with this much more picture data now allows quite a number of 
edits to be performed on an image before any noticeable loss of quality is 
produced in the final output.

One of my favorite photo projects is creating 'panoramas' - wide view 
compositions produced by joining a number of pictures together. The new 
Photomerge feature makes what used to be a very tedious and often hit-and-
miss undertaking  into one that is a joy to work with. Virtually seamless 
panoramas are now possible with Photomerge's 'Perspective Adjustment' that 
automatically corrects any angular distortion in overlapping edges that, no 
matter how carefully you take your pictures, always seems to occur. 
'Advanced Blending' smoothes out most of the tonal variations between 
joined images. Just one bit of caution here - make sure you have a boatload 
of RAM first!

Have you ever seen those colored glass filters that screw onto the front of 
a camera lens? These expensive accessories allow photographers to alter the 
color 'temperature' of the light passing through the lens. Even if your 
camera can accept these color filters, they are a hassle to use. Gee, do 
you think maybe Adobe has an easier solution? If you said 'yes' then you 
are correct! Photoshop CS emulates the very same effects with the Photo 
Filter command. Choose from a long list of preset filters, or customize 
your own. Now your photos can be made to look 'warmer', 'cooler', or 
whatever and no one will be the wiser.

One of the most common problems that photographers (film or digital) 
encounter is failing to obtain the proper exposure for their subject. Key 
areas of the photo can easily come out too dark or too light in what would 
otherwise be a great shot. Photoshop's new Shadow/Highlight Tool can 
eliminate most of these problems after-the-fact. Independent adjustments 
over the image's entire tonal range can bring out hidden detail without 
under or over exposing other areas. This one is a real lifesaver!

Scan a bunch of  photos tossed onto your scanner's glass and what do you 
usually end up with? A page full of crookedly scanned photos! Not a problem 
in Photoshop CS. Simply by running the Crop and Straighten Tool, each image 
is copied into its own document, already rotated and perfectly straight. 
This will be a huge time-saver for those who do a lot of scanning.

So, is Adobe Photoshop CS worth the $649 retail price ($169 upgrade from 
ver 7)? If you are as passionate about digital imaging as I am and want the 
very best tools to work with, the answer is a resounding yes! If you are 
more of a casual user or a beginner, then I recommend going with Adobe's 
Photoshop Elements - a somewhat reduced, but very powerful program just the 
same. You can always decide to step-up to the full Photoshop later!

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 CCCC                         Page 4                      April  2004

EDITOR'S COMMENTS by Dick Trissel

As most of you know by now, the CCCC April newsletter got sent to you by e-
mail as well as this hard copy.  We are trying all the different ways to 
circulate the newsletter.

The hard copy doesn't require any effort on the part of the recipient 
(except opening your mailbox), but it is expensive at about $1.00/month per 
member.

The Web site copy requires a deliberate effort on the part of the club 
member.

The e-mail is a compromise--it's in your face, but you will have to 
deliberately save it and/or print it.

Obviously, the last two methods are no cost except the $50/year membership 
fee to APCUG (Association of PC Users Groups) which hosts our Web site:
http://member.apcug.org/fourseas

The non-hard copy methods do require the club members have an ISP (Internet 
Service Provider). But, after all, this is a computer-oriented 
organization.  And nowadays, that pretty well implies using a computer on 
the Internet.  The e-mail method does require all the members' e-mail 
addresses be known by the newsletter editor.  If you didn't get an e-mail 
copy of the April 2004 newsletter, then I don't have your e-mail address.

Let me or one of the officers know what you think of each of the methods 
for future application.

Maybe I should explain the cost of mailing a hard copy newsletter each 
month.  We currently mail out 87 copies (86 member addresses plus Microsoft 
Mindshare).  The repro rate at Office Depot for one to 99 newsletters with 
ten pages double sided (5 pages) collated and stapled is $0.135 per 
newsletter times 5 pages ($0.675) copies.  So, for 87 copies the cost would 
be $58.73 plus $1.74 for stapling plus $4.84 tax ($65.31).

For 100 or more newsletters, the Office Depot repro rate for ten pages 
double sided (5 pages) collated and stapled is $0.095 per newsletter times 
5 pages ($0.475) copies.  So, for 100 copies the cost would be $47.50 plus 
$2.00 for stapling plus $4.70 tax ($54.46).  Therefore, the 100 copy method 
is cheaper and provides 14 extra copies for replacement of damaged mail and 
for guests (undamaged ).

Now, we add postage at $0.37 times 87 ($32.19), and we have $86.65 per 
month (not counting master-copy paper, labels and ink).  For 12 months, 
that's $1039.80.  That's about $12 per member household per year.

So, you see, most of the annual membership dues go for the newsletter 
costs.

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 CCCC                         Page 5                      April  2004

WEB WANDERINGS
By Gil Smith

INTERNATIONAL PROTECTION
When a business commits fraud, you can always turn to the Better Business 
Bureau and other governmental organizations for help.  That's great for 
companies located in the United States.

If the company is in another country, to whom do you turn?

About 30 countries have banded together and created an organization to 
provide consumer protection.  Go here to find out which countries 
participate and how to file a complaint.
http://www.econsumer.gov/english/index.html

GROUP IT TOGETHER
The "Yahoo! Groups" allow a group of people to share and discuss a certain 
topic on the Net.  For example, if you love to cross-stitch, you can join a 
group on cross-stitching.  Discuss ideas through the message board.  There 
are also tools to help share files, pictures, events and more.  There are 
endless groups that you can join.  Or, if you don't find a group to your 
liking, create your own.  Be sure to read the message delivery option when 
subscribing to a group.  If you're not careful, every message posted could 
be e-mailed to you.  And that can be annoying.
http://groups.yahoo.com/

SHOCKINGLY GOOD WEB SITE
A virtual museum created by the IEEE (Institute of Electrical and 
Electronic Engineers) doesn't sound very interesting.  Surprisingly, it is.  
Learn all about the evolution of sound recording as music and as part of 
movies.  The interactive exhibit has demonstrations to visualize difficult 
concepts.  Listen to how multi-track sound recording influenced popular 
music like the Beach Boys.  There are exhibits on electricity, microwaves, 
the history of women in the electrical revolution and more!
http://www.ieee-virtual-museum.org/index.php

ALL MUSIC GUIDE
Music lovers rejoice!  This comprehensive Web site has the answers to all 
of your music questions.  You'll find information on just about every 
artist and group in every possible genre.  Read important information on 
artists, their discographies, who they worked with and more.  There are 
interesting articles on the history of music.  The search tool allows you 
to find information based on artist, album, song, style, and label.
http://www.allmusic.com

CLINICAL TRIAL

If you have an illness that is not responding to traditional or holistic 
medicine, you might want to take part in a clinical trial.  Clinical trials 
are research studies that try new methods of treatment.  This could be a 
new drug not yet approved, a drug used for a different illness, a device 
(like a Pacemaker) or something else.  WebMD has a matching service that 
will help you find a clinical trial.  It also has information on the risks 
and benefits and what to expect if you participate.
http://my.webmd.com/medical_information/clinical_trials/default.htm

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 CCCC                         Page 6                      April  2004

DIGITAL IMAGING SIG 
March '04 Recap
By Charles Barney

There were just about a dozen members sitting in for my SIG at the March 
16th meeting. At first, I thought that perhaps I should change my brand of 
deodorant! But, as it turned out, the over-all attendance at the clubhouse 
was lower than normal for some reason. 

Some good topics for discussion were brought up by the group, which 
included: How to select the various Tools in Photoshop Elements, which then 
display their own particular symbols as your 'cursor'; keeping Elements' 
palettes easily available by 'docking' them to the Palette Well; printing 
multiple images on a single page; and White Balance settings on a digital 
camera. I'd like to expound on a couple of these subjects that I didn't 
explain quite adequately at the SIG.

Printing multiple photos on a page is something that many of us would like 
to do in order to save time and paper, but is no simple task unless you 
have the right software! Elements 2 has a feature called Picture Package 
that is designed to emulate the multi-size print layouts like those that a 
child's school pictures come on. It works fairly well if you just want to 
print the same photo in various sizes, but I found it to be cumbersome and 
quirky to select different images on a page. A much better solution is 
offered by Elements' companion program, Adobe Photoshop Album 2. By simply 
selecting the different pictures you want from the Photo Well (try 
ctrl+left click) and then clicking the print icon, Album brings up a page 
layout view that is highly customizable. You can choose the sizes you like 
and see exactly how your photos will look on the page(s) before you commit 
them to print.

White Balance is an adjustment found on most digital cameras that attempts 
to assure the capture of accurate colors under various lighting conditions. 
These could be, for instance, when shooting outdoors on a sunny or a cloudy 
day, under artificial lights like fluorescent (notorious for causing green 
casts) or an ordinary tungsten light bulb (produces reddish tones). It is 
an interesting fact that our eyes and brain automatically compensate for 
these color variations while the camera's image sensor does not. Consult 
your camera's documentation on how to change the White Balance settings for 
different lighting situations.

I used Elements 2 once again for my demonstration, this time showing how to 
correct a photo that had multiple problems. A crooked scan was fixed using 
the Rotate/Straighten and Crop feature. Underexposed highlights were 
brought out with the Levels tool and dull colors made richer using the 
Hue/Saturation sliders.

Bring your questions and ideas to the next Digital Imaging SIG. There may 
even be a surprise in store! Hope to see you there.

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 CCCC                         Page 7                      April  2004

SYSTEMS S.I.G.
by Dick Trissel

As usual, we started the session with an animated display.  This one is 
called "Ice Fishing".  Since it is small enough to fit on a floppy disk, 
anyone that wants a copy just send me a request by e-mail.

Now that we have the use of the old CCCC projector, I gave a demonstration 
of how to access the club's Web site.  I showed how to use the homepage to 
go the various links on the site, and how to access the club's newsletters 
that are archived there.  From there the newsletter, or any of the other 
link pages, can be printed or saved to a file.

I suggested toggling the F11 key to get a "full screen" display while 
viewing a Web page in Internet Explorer.

While we were on the CCCC homepage, I explained why the officers' e-mail 
addresses contain the letters "nojunk".  It is to prevent Web Bots (Web 
searching robots) from obtaining valid e-mail addresses.

The changed room seating layout and the use of the projector was generally 
agreed to be an improvement and will be continued.  This will allow us to 
have more demonstrations that weren't practical with just a monitor 
display.

Then we got on to trying to solve member's computer problems.  One question 
was how do you make all Windows Explorer show the same display settings 
screens for different folders--such as "Details"?  After you have gone to 
View / Folder Options / View and selected the settings you want, then click 
the "Like Current Folder" button.

A similar question was how to get the Folders display pane in Windows 
Explorer window?  Under View / Explorer Bar, be sure there is a check mark 
on Folders (click it to toggle the check mark off/on).

There was a question about how to not lose the right-most words in a Web 
page print.  One suggestion is to select the page and paste it in a text 
editor.

Along that same line, you can change the size of the display character 
size.  If you have a scroll mouse, hold down the CTRL key and roll the 
mouse wheel to change the font size.  This works in some other applications 
such as MS Word, etc.  I don't know if this will affect the direct print 
from a Web page.

A neat suggestion was made involving "stacked" e-mail attachments--you 
know, attachments within attachments.  Don't necessarily save the entire 
message if all you want is the last attachment.  Just go to the last 
attachment and save it.  Do this as a favor to others if you plan to send 
it on.

An announcement was made that the version 6.01 of Adobe Acrobat Reader will 
read the file to you.  I guess I'll have to upgrade my version 3 .

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 CCCC                         Page 8                      April  2004

EXPLORING WINDOWS EXPLORER PART 2 by Dick Trissel

In Part 1 I setup Windows Explorer for maximum utility.  In this part I 
will describe some of the toolbar menus.  Some are obvious.  Some need 
elaboration.  Therefore, I'll not discuss all of the options-just the ones 
used most often. 

1) File
  a) Open-opens the selected file with the associated application.
  b) New
       Folder-to create a new folder under the selected
         folder (click on the folder to select it.)
       Shortcut-creates a shortcut for the selected file.
2) Edit
  a) Select All-to select all the items in the right pane.
3) View
  a) Toolbars-check the Address, and Text Labels options.
  b) Status Bar-check.
  c) Explorer Bar-check the All folders, and the Details options.
  d) Arrange Icons-choose Name for now (more later).
e) Folder Options
     General-choose Classic
     View-(covered in Part 1)
     File Types-(more later).
4) Go-(more later, maybe)
5) Favorites-(shades of Internet Explorer).
6) Tools
  a) Find-same as Find in the Desktop Start.
7) Help-same as Help in the Desktop Start.

When a folder has been selected in the left pane, the content is displayed 
in the right pane under column headings of Name, Size, Type, Modified, and 
Attributes.  The widths of these columns can be adjusted by placing the 
mouse pointer on the little divider bar (a double arrow appears) and 
dragging the bar.  The spacing can be set automatically by double clicking 
a column divider line.  The order of the columns can be changed by right 
clicking on a column heading and dragging it to a new position.

The order of the items displayed can be selected by clicking on a column 
heading.  One click selects that column in ascending order.  A second click 
inverts the order (descending).

Many of the toolbar options are duplicated in the menus obtained by right-
clicking in a pane.  The only cautions are; don't do Customize in the right 
pane, and be careful with the Format option in the left pane.

Here are a few exceptions to the above recommendations.  You may want to 
choose the Standard toolbar in the View/Toolbars.  I don't use it-it just 
takes up space.

That should be sufficient to get you setup in Windows Explorer.  The next 
part will be how to use Explorer to manage your system.

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